Before algorithms, before dating apps, before the endless scroll of curated bodies—there was a dance.
The masculine stood rooted, a mountain of stillness.
The feminine moved like water around him, alive in her flow.
Their union was not negotiated, performed, or swiped on.
It was felt. Known. Remembered in the body as something sacred.
Then came centuries of distortion—roles without reverence, power without presence, liberation without remembrance.
What we now call “dating” is not a modern invention; it is the latest chapter in a long story of polarity being programmed, twisted, and sold back to us in fragments.
The masculine has been told to perform dominance to be seen.
The feminine has been told to perform independence to be safe.
Both have forgotten that true attraction is not built in the mind, but in the field, the breath, the soul.
As I wrote in Hypergamy Is Not What You Think: She Chooses the Man She Feels, a woman’s deepest choosing isn’t about your résumé—it’s about your resonance. She responds to the man who carries himself as an energetic truth, not just a social advantage.
To understand how we’ve drifted so far from that truth, we must walk through the timeline of modern courtship—not just as a history lesson, but as a map of how the sacred masculine and feminine were lost, and how they can be remembered.
Without wasting time.
Let’s dive in..
The air smelled of fresh-cut lawns and percolating coffee.
The men left in pressed suits for the office.
The women stayed behind in aprons, their lipstick perfect by 9 a.m.
On the surface, polarity seemed alive—masculine provision, feminine care.
But polarity is not about outer role. It is about inner essence.
And here, the masculine did not lead from soul, but from systemic advantage.
The feminine did not open from devotion, but because survival demanded compliance.
It was a dance done on a stage, the choreography memorized but the music gone.
Betty Friedan named the ache in The Feminine Mystique (1963)—“the problem with no name.”
It was more than boredom. It was spiritual suffocation.
A knowing that this was not union, but containment.
And under the calm of the suburbs, a pressure was building that would soon ignite.
The 1960s and ’70s were the feminine’s wildfire.
The sacred feminine had been silenced for millennia, and now she roared through the voices of Gloria Steinem, Germaine Greer, and countless unnamed women.
Economic freedom. Bodily autonomy. Identity beyond domesticity.
The collective cry was necessary.
Yet, liberation came wearing the mask of rebellion.
In shattering the old roles, the feminine often turned not toward her essence, but against the masculine itself.
The memory of the King—the masculine who protects, penetrates, and elevates—was buried under the image of the tyrant.
And in that shadow, the seeds of polarity’s next distortion were sown.
By the 1990s and early 2000s, the masculine—uninitiated in soul work—responded not with depth, but with strategy.
Pickup artistry became the battlefield training of choice.
Neil Strauss’s wrote The Game, Erik von Markovik(mystery) wrote Mystery Method, and countless bootcamps taught men how to mimic attraction: the right line, the well-timed neg, the air of unavailability.
But you cannot fake presence. You can only simulate it for as long as your mask holds.
And for many men, the mask was all they had.
Women, now more sexually free and self-assured, no longer needed the masculine for survival—so men who had never been taught to lead from essence turned bitter.
The red pill era was born, led by voices like Rollo Tomassi of "The Rational Male" and anonymous internet prophets, preaching that women were hypergamous, chaotic, and incapable of loyalty unless dominated.
The commandments were clear: be stoic, be unattached, never love too deeply, maintain frame at all costs.
But these were the war cries of the uninitiated—not the songs of the King.
For a deeper breakdown of this programming, read The 9 Lies the Matrix Tells You About Love, Sex, and Soul Bonds.
By the 2020s, the red pill hardened into something even shallower: the status game.
Bugattis gleamed under desert suns. Champagne sprayed over rented yachts.
The Instagram feed became the throne room, and men like Andrew Tate and Dan Bilzerian were crowned kings—not for their presence, but for their possessions.
They became digital prophets of a hypermasculine lifestyle—one built on luxury, control, and performative dominance.
Women, in this view, are accessories. Status, money, and clout become the new masculine currency.
These men are not anomalies.
They are symptoms of a culture that confuses power with presence, excess with embodiment.
Their popularity reveals a crisis: many men no longer seek union.
They seek validation through conquering women.
Social media rewards projection, not depth.
Modern dating apps reduce soul connection to swipes and algorithms.
Young men are raised on pornography, not on presence.
This is not masculinity. This is performance art in a collapsing empire.
This is the “Warlord” archetype in shadow form: conquering territory, but unable to rule a kingdom of the heart.
The most dangerous player in this game was never a gender—it was the machine.
The Matrix, advertising, media, and algorithms learned how to monetize polarity’s fracture:
Women were sold “empowerment” as cosmetic consumerism, corporate ambition, and curated sexuality—while still being conditioned to seek male validation.
Men were sold “dominance” as grind culture, emotional suppression, and fake alpha posturing—while being starved of vulnerability, brotherhood, and inner stillness.
The result? Two sides taught to mistrust, to compete, to perform—while the sacred dance faded to memory.
As I explained in Reclaiming the Signal: Why the Matrix Fears a Man Who Broadcasts from Source, this fracture isn’t accidental—it’s engineered.
Before patriarchy or matriarchy, before the programming, the dance was whole.
In Sumerian myth, Inanna descended into the underworld and was met not with conquest, but with reverence by her consort Dumuzi—who held her in the depths until she rose again.
In Egypt, Isis resurrected Osiris not through control, but through devotion—re-membering his dismembered body, piece by piece, until the sacred masculine could walk again.
These were not fantasies. They were blueprints.
The war ends when remembrance begins.
Not of rules.
Not of roles.
But of essence.
The Deeper Truth Behind Polarity
(see also: What Sacred Union Was Always Meant To Be)
The feminine is not lost—she is waiting.
She waits not at the surface, but deep within herself, in the chambers of her own being where only truth can reach her.
Her storms are not random—they are signals.
A woman’s “chaos” is often the turbulence created when she is asked to open to a man who is not anchored in himself.
When she pulls away, it is rarely because she is incapable of devotion—it is because she has met the false masculine: the one who wears the crown but not the consciousness, the one who confuses possession with protection, the one who stands in the throne room but does not carry the throne’s weight.
The masculine, too, has been wounded.
He was told from boyhood that softness would make him invisible, that tenderness would strip him of respect, that to lead he must control.
He learned to keep his heart behind armor and his soul behind strategy.
And so he performs—cold, dominant, untouched—not realizing that this very performance makes him unworthy of the opening he craves.
But this is not his true nature. The sacred masculine is not a role.
It is a current that runs through him when he surrenders his ego to something greater than himself.
The sacred masculine penetrates without force—his presence enters her the way sunlight enters a room: steady, warm, and undeniable.
He commands without threat—his authority is not a whip, but a gravity that steadies her storms.
He leads by bowing first to the divine—knowing that leadership is not ownership, but guardianship.
And when he becomes the altar—not the worshipper seeking something from her, but the place where truth stands unshaken—something ancient stirs in the feminine.
She remembers herself as the temple: the holy space that holds and transforms the offering of the masculine into life, beauty, and creation itself.
In this space, polarity is no longer a game or a battle.
It is the restoration of the original order: King and Queen, Priest and Priestess, Mountain and River—each whole, yet each magnified by the other.
The Way Forward
The red pill and the false feminine movement are mirror distortions—two sides of the same wound, chasing power without presence.
Both mistake domination for leadership and self-protection for freedom.
The original design was never a war.
Man was made to witness, contain, and illuminate.
Woman was made to open, receive, and transform.
When these essences meet in truth, there is no hierarchy—only harmony.
The future of polarity is not a nostalgic retreat to 1950s performance roles, nor a never-ending battlefield of competing wounds.
It is a return to soul—a remembrance that power is only sacred when it is in service to love.
A man rooted in sacred masculine energy does not fear feminine power—he calls it forth and steadies it.
A woman surrendered in sacred feminine essence does not need to guard against masculine presence—she expands within it.
Here, the dance is no longer about who wins, but about what is awakened.
A Call to Action
If this stirred something in you—if you feel the pull toward a deeper, truer union between the masculine and feminine—then stay close.
Subscribe to receive my writings on sacred polarity, psychic connection, and the energetic mastery that makes love feel alive again.
The war between the sexes was never the truth. Let’s return to the original design—together.
Till next time,
Your Friend,
Tomas,
Read Next:The Fundamentals of Psychic Seduction: Why Mastery Begins at the Root